Chloe Greeves

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Chloe is based at Royal Museums Greenwich and is a Collections and Learning Engagement Trainee. She will be learning conservation skills, supporting collections care and will also work with staff and volunteers to develop a new public offer for museum audiences.
 
After graduating in 3D Design and Craft at Brighton University, Chloe has worked in various creative roles. From workshop and fashion studio assistant at ‘Intrepid Camera’ and streetwear brand ‘Dream But Do Not Sleep’, to social media and marketing for London-based screen printers ‘3rd Rail’. As a designer and photographer she is motivated by communities and society; her projects tend to be people-led, aimed at creating positive development. She combines the emotive and personal qualities of photography with the experiential qualities of interactive 3D Design, and within her work she is always trying to make lasting memories, whether that be with a photograph or installation. She believes in pragmatic design, reconnecting people and their surroundings.

Georgie Cowan-Turner

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Georgie is based at Keats House and will be working on projects associated with celebrating 200 years since Keats moved into the house.

 Georgie recently graduated with a BA in English Literature at UCL. During her time at UCL she wrote for student papers and then as a Culture Writer for ‘The Upcoming’. Her experience reviewing opened-up London’s art and culture scene to her and made her certain that she wanted a career in the arts and heritage. She is motivated to make this sector more accessible to people and is excited to be working on this goal with New Museum School. She loves history, particularly uncovering the voices of those silenced in the past. Keats House was home to one of her favourite poets whose passion for all things to do with learning, reading and writing she is certain could inspire younger generations in their education.

Jade Chao

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Jade is based at Magnum Photos, working in the archive, image production, digital editorial and social media departments. Her work will include curating, writing and editing photographic stories for Magnum’s website, fact-checking captions in the archive, researching and licensing photos, editing photos, and thinking of ways to connect Magnum’s work with new audiences through digital media and cultural and educational events.
 
Jade is interested in visual art, design, and access to culture and heritage. Having initially studied architecture, she became interested in graphic design and its relationship with politics. Jade co-edits a zine titled daikon*, exploring intersectional feminism, activism and the experiences of East and Southeast Asian non-binary people and women in the diaspora. Her ambitions are to work with other young people in critique of dominant narratives in the cultural sectors and to support innovative and politically engaged arts.

Daisy Chan

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Daisy is based at the Museum of Croydon where she is a collections access trainee. She assists with the front of house team to help members of the public access the museum’s wide range of materials. She also supports volunteers in the day to day running of the museum, assists artists in residence to help them to realise works, and helps to promote the happenings at the museum.  Daisy has been fascinated by the museum’s archival photographs of buildings, businesses and an asylum that used to exist in Croydon, and comparing this to what they are now.

Having recently graduated in Fine Art at University of the Arts London, Daisy hopes to continue her art practice, which finds alternative ways of representation. She has taken part in a number of group exhibitions in London, and will be exhibiting work internationally at the end of this year. Since starting the New Museum School, Daisy has found it insightful to be introduced to different organisations that showcase diverse culture and heritage in unique ways. This has inspired her to think more about the ways museums can adopt a more inclusive position to reach new audiences.

Lydia Blackburn

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Lydia is based at Shape Arts and will be working on their up and coming exhibit, NDACA, as well as projects such as Tate Exchange, Shape Open and the beginning of the Shape Collection. This will include curating a public programme, assisting with archiving and much more.

After graduating in Community Drama at Liverpool Institute for Performing Arts, Lydia has continued her own ventures within her field, working with various artists, musicians and performers. She co-founded a small theatre company in 2016, but put her freelance work on hold in order to learn and advance in the culture and heritage sector. Since starting the New Museum School she’s been inspired by the diverse nature of the field, which has motivated her to keep pursuing a career within Shape and beyond! 

Stephanie Ampofo

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Stephanie is based at English Heritage and will be working in the Curatorial Department with the Interpretation and Learning team. This will include developing engaging interpretation for visitors, giving talks and tours, and working with experts to create digital content.

 Stephanie is a creative artist in many ways: a poet, writer and performer, with a strong passion for curating. After graduating in Event Management, Stephanie began hosting her own monthly events, gathering artists together to showcase their talents. Since starting the New Museum School, she has been inspired to use her creative skills to contribute to the world of interpretation. An activist in her own right, Stephanie lives by this quote taken from own her poem – that the key to true success and happiness is to always: “Be yourself, be free. Be yourself is the key.”

Daniel Adediran

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Daniel is based at National Trust Sutton House where he is involved in a number of tasks, including helping install exhibitions, doing market research, promoting events on social media, and leading guided tours, including the upcoming Clive Jenkins tour in 2019.

Daniel has always lived in London and enjoyed having a wealth of museums to visit whilst growing up. He is a keen writer, and is currently working on a West African high fantasy and magical realism novel. Before starting with the New Museum School, he also wrote a play for TfL, which was performed at the London Transport Museum to celebrate 100 years of the night bus.

Since starting the New Museum School, Daniel has been inspired by how passionate his colleagues are about their work, which has in turn increased his passion for arts and heritage.

Kirsty Kerr

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Kirsty is based at the Culture& studio and will be working on our digital media and archive projects – one which involves cataloguing 30 years of material from our ‘Cultural Co-operation’ collection and curating a public programme around it.
 
After graduating in Fine Art at Nottingham Trent, Kirsty has continued her own art practice, as well as facilitating other artists and curating exhibitions and events. She co-founded an artists-residency programme in 2016 and earlier this year had her first solo-exhibition. Since starting the New Museum School she’s been inspired by the diversity of arts practitioners she has met, especially other young, female curators from diverse backgrounds – which has given her new motivation to keep pursuing a career in the arts.

Carine Harmand

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Project Curator
British Museum

As a child I wanted to be an Egyptologist, learn ancient languages and discover treasures. I cherished this career goal until I started studying Art History and Archaeology at the Louvre. The more I read and worked in the cultural sector, the more I diversified my aspirations; I got particularly interested in curatorial work and, other than ancient history, I also became very keen on contemporary art, the history of religions, the notions of cultural hybridity, legitimacy and ownership of cultural heritage.   

The SOCL scheme opened my eyes to ideas around diversifying museum audiences, creating narratives through community engagement and giving a voice to all parts of a society. As Public Programmes Assistant at the National Army Museum, my role consisted in supporting the Public Programmes manager in organising and delivering the events of the Museum. 

Today, I carry on developing my curatorial skills working as project curator in the Middle East department at the British Museum and I would like in the next years to start a research project on the dynamics of cultural hybridity in the global art market.  

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Henrik Yau

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Collections Assistant 
RAF Museum 

I have always been interested in working with museum collections. Whilst studying for my degree in archaeology at the University of Reading I worked with material objects and understood how these objects illustrate the journey of human history.  

Since graduating from university in 2015, I have volunteered at both museums and universities to develop my skills and knowledge with a focus on collections management and conservation. It was thanks to Culture&, who gave young people like me the opportunity to work in the heritage sector and take my skills to another level. Whilst working at Royal Pavilion & Museums as a Collections Assistant Trainee, I have been fortunate enough to work with different museum professionals allowing me opportunities that have been invaluable for me in my museum career. The best thing about working in museums is what I learn: object handling techniques, different types of conservation methods and applying these preventative techniques, cataloguing and documenting museum objects into the database. 

During my traineeship at Royal Pavilion & Museums, I have assisted in large-scale gallery installation projects. Contributing to the work for the Constable and Brighton exhibition at Brighton Museum & Art Gallery was an enjoyable and enriching experience, learning about acquisitioning, conservation and design. Another key area of activity was the archaeology gallery, which provided an opportunity to work on a new permanent gallery from the beginning. After finishing my traineeship, I wish to continue expanding my skills in similar roles and even specialise in areas of work relating to collections management and I hope to inspire younger generations from diverse background towards a possible future in the heritage sector.  

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